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On the way, they encounter a pair of well informed fishermen who warn them about entering the forest – recounting the story of a missing girl who saw “an old woman whose feet never touched the ground.” Having gathered enough material, the students head out into the woods to start their own investigation. His MO would be to lure children down into his basement in pairs, have one face the corner of the room while he murdered the other – he couldn’t stand the eyes watching him as he committed the act.ĭuring interrogation, he claimed that the spirit of Elly Kedward, a woman executed for witchcraft during the 18th century, forced him to commit the brutal murders. The story goes that during the 1940s, a man named Rustin Parr, was arrested after the murder and abduction of several children from the town of Blair. During interviews with the local town folk, the story of the Blair Witch gradually became clear to the students – and to the audience. Mike and Josh on the other hand, they seem to just be along for the ride. Excited and focussed to the point of psychopathy, there is nothing Heather wants more than to create a great documentary.
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Williams and Josh Leonard (each playing a version of themselves) – arrive in the small town of Burkittsville (formerly Blair), Maryland, to investigate the local legend of the Blair Witch, no one is all that bothered. When a group of film students – Heather Donahue, Michael C. The actors were genuinely out in the woods, albeit supervised by the director, but the frustrations – even the fear – in the actor’s performances is about as real as it comes (albeit in character). While I will – as per normal – lay out the plot for you, it really is hard to describe the atmosphere of the production. If you haven’t seen this film, I recommend you do so. Through viral advertising and word of mouth, everyone seemed to have an opinion on the film – and how true the events depicted may have been. It’s hard to describe how massive this film seemed to be at the time. The only clue to their whereabouts, a film reel recovered from the woods recording the days prior to their disappearance. Three young Americans in a Maryland forest, missing – presumed dead. I don’t remember if it was the film I saw advertised, or the documentary about the fictional legend central to the film’s plot, but I remember being convinced it was true. Then again, sometimes there might be an advert for something truly chilling. I could be watching anything, though there was a good chance it would have been something child friendly. There’s a photograph somewhere in my family’s photo albums of me as a young boy – bright eyed, fat cheeked, wild blonde hair – sat, alone, on a small wooden stool in front of my grandparents’ television. So it’s possible I may have been made aware of this by my brother or sister, or maybe even by reputation in the school playground, but I’m pretty certain I remember the first time I was fully exposed to this legendary cult film. I would’ve been nine or ten when the Blair Witch Project (1999) was released in the UK. Wicked Witch Of The West, Wicked Witch Of The East.